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Meanwhile, sometime later, Ben Carson (Kiefer Sutherland), a former undercover detective who was suspended after shooting another officer, is forced to take a night time security job at a department store that was gutted by a fire. The department store used to be a psychiatric hospital that experimented in treating schizophrenia. In 1952, a mass killing took place and the hospital was closed. It was later reopened as a luxury department store, the Mayflower. Carson comments on the pristine mirrors throughout the store, and the guard comments that the man Carson is replacing was obsessed with cleaning them.
Carson’s round begins normally, though on his first night he sees a door open in a mirror’s reflection while it is actually closed. After investigating, he finds nothing. Following nights expose Carson to more intense visions, which he initially shrugs off as hallucinations (due to a strong drug he started taking as a result of the trauma of shooting another officer). He notices handprints on the mirror. Curious, he touches them, causing the mirror to break and injure his hand. Carson further hallucinates being set on fire, as well as seeing victims in various parts of the store who were burned to death. Afterwards, he finds the wallet of Gary Lewis (the man who dies at the beginning of the film), the night watchman he is replacing. The only piece of information is a note that says “Esseker.” Ben then receives a package from Gary Lewis that was sent several days before his death. The package contains newspaper clippings about the fire and other crimes. The man convicted of burning the Mayflower was also convicted of killing his wife and children.
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The protagonist, science teacher Elliot Moore (Mark Wahlberg) in Philadelphia, is in the middle of class when the principal interrupts and ends class early due to the reports of an apparent bioterrorist attack on New York. Elliot and his wife, Alma Moore (Zooey Deschanel), join Elliot’s best friend and fellow teacher Julian (John Leguizamo) and his eight-year-old daughter Jess (Ashlyn Sanchez) as they decide to evacuate the city. The train they are taking soon stops at a small station in western Pennsylvania and train services are discontinued after the crew loses contact with “everyone.” News begins to come through televisions and cell phones as the pandemic is shown spreading across the northeastern United States, with its victims all showing the same symptoms of suddenly ceasing all activity, a loss of speech and physical disorientation, and a final calm and calculated act of suicide (the film has people jumping from buildings, shooting or hanging or cutting themselves, throwing themselves into barbed wire, offering themselves to lions, driving vehicles off roads, and lying in front of a grass mower). The initial assumption of terrorism is abandoned as the scale and concentration begins to outpace the means of any terrorist group.
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This all changes when he meets Roland Cox (Samuel L. Jackson), part of a shadowy organization that has been trying to track David down. Roland uses a variety of advanced technologies to inhibit David’s ability to Jump while trying to kill him, but David manages to escape. He inadvertently Jumps home and has a brief encounter with his father, before tracking down Millie (Rachel Bilson) where she works, at a local bar. To impress Millie, he uses his considerable wealth to fly her to Rome for a holiday.
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Interpol agent Mike Whittier discovers Agent 47 in his study, where the two talk briefly. The scene flashes back 3 months, as 47 is completing a hit in St. Petersburg, Russia. He receives a communication from his Organization contact, Diana, and is told he is to kill his next target, Russian President Mikhail Belicoff, publicly.
Agent 47 succeeds in killing Belicoff using a sniper rifle to achieve a head shot from over 4 km away. However, when 47 returns to his hotel room, he’s told there’s a witness–Nika Boronina–he has to kill. Confronting Nika on a street, he doesn’t kill her as he realizes she’s never seen him before. Additionally, Belicoff’s death was covered up, being portrayed in the media as a grazing wound.
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